The battle scenes are breathtakingly immersive (I saw the film in 2D Imax and felt no need for stereoscopy), but also impressively joyous – the sight of a fleet of X-wings hurtling toward us over watery terrain brought a lump to my throat and a tear to my eye – just one of several occasions when I found myself welling up with unexpected emotion. As always with this director, the film feels very physical, scenes of dog-fighting TIE fighters and a relaunched Millennium Falcon crashing through trees possessing the kind of heft so sorely lacking from George Lucas’s over-digitised prequels.
#Star the force awakens full movie series
That sense of coming home runs throughout The Force Awakens, director JJ Abrams working the same regenerative miracle with the Star Wars franchise that he previously pulled off with his Star Trek movies – taking the series back to its roots while giving it a rocket-fuelled, 21st-century twist. The Guardian film show special: Star Wars: The Force Awakens – video review Guardian
The opening scroll sets up an ongoing battle between the forces of good and evil and lays the groundwork for a quasi-mythical quest that will reunite friends old and new, and allow a grizzled Harrison Ford to deliver the line that turned the teaser trailers into something akin to an announcement of the second coming: “ Chewie, we’re home…” Suffice to say that the action takes place some years after the events of Return of the Jedi, and involves scavenger Rey (Daisy Ridley) teaming up with renegade “First Order” Stormtrooper Finn ( John Boyega) and globular droid BB-8.
#Star the force awakens full movie movie
With a film whose existence is rooted in fan culture, describing the movie is perilous even revealing the cast list runs the risk of providing potential plot spoilers. Ironic, then, that watching Star Wars: The Force Awakens, I found myself feeling like a 12-year-old, reading for the first time the words: “A long time ago in a galaxy far, far away”, hearing John Williams’s fanfare theme and discovering what all the fuss was about. One of the lone scenes where Abrams totally tries too hard (which is difficult to do in a "Star Wars" film) is the meeting preceding the super weapon's debut impact: the preeminent officer of the First Order (Domnhall Gleeson) addresses a huge number of troops masterminded in Leni Riefenstahl designs, sticking his pale face into the camera and for all intents and purposes spitting into the focal point.Now, as Episode VII rolls around, ushering in a new generation of sequels, I find myself at an age so out of whack with the film’s target demographic that what I think about it matters not a jot. The re-marked Imperials look and sound significantly more Nazi-like than the miscreants from the main set of three. Since Luke has sought total isolation following an unfortunate endeavor to prepare another class of Jedi, they've acquired strength and daringness, and constructed a variety of the Death Star that is implanted in a living planet-essentially a gunnery cannon with intergalactic reach. Yet, the Empire's remainders were tireless. The Empire went into retreat in "Jedi" when Luke Skywalker (Mark Hamill) turned his dad back toward the light side of The Force. The Republic is as yet the Republic, however now they're not very furtively financing the resistance to the remainders of the Empire, which has been displaced by something many refer to as the First Order.
A very long time after Darth Vader tossed his lord down a deep opening, the system is as yet wracked by war.
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